A Game of Bluffs Reflective Report

For my 162MC edit, I chose to adapt ‘A Game of Bluffs’ to the film movement of Film Noir but also with the modern influence of director Steven Spielberg. Film Noir has long been an interesting subject for me and when I began to write the script I did so with the Film Noir movement in mind. Steven Spielberg is not one of my favourite directors however I appreciate his techniques and his invisible oner, or one take method of shooting as seen in films of his like Jaws (1975). I hoped to combine the two methods to create a slow paced and mysterious piece that drew from both sources.

The first decision we took upon ourselves as a group was to shoot our film straight into black and white. This was a group decision as most of us agreed we would be turning our footage into black and white anyway despite editing into different styles. During editing certain scenes appeared too bright since our location was lined with white walls and some large windows that couldn’t be blocked so in post I chose to decrease the brightness to keep a gritty feeling to the visuals. Film Noir makes use of strong lighting and the casting of distinct shadows. The film Double Indemnity (1944) was largely influential to me for the visual and style of shadow, in some scenes I left the brightness so you could barely make out facial features. I would have liked to have dimmed the backdrop more throughout if I had more time just to create the impression of the characters being in a dark bar somewhere.

Some of the cuts are particularly long in my edit of A Game of Bluffs so as to better keep to the style of Steven Spielberg, in particular the scene where Jimmy is telling the crude joke. Chapmann makes a remark whilst Jimmy is talking, if I was editing to a different style I would have cut to Chapmann to say this line but instead I feel that Chapmann is already an established character and the audience are aware that that is his voice and so hold the shot on Jimmy. These slow one takes allow the audience to connect with the characters emotionally and to soak in the atmosphere of a competitive poker game. Ideally I would have preferred to shoot the whole thing in one take by moving the camera around the table capturing the four men in shot throughout however we lacked a shoulder rig for the smooth movements and our actors joined last minute and were unable to memorise the lines.

Although I wanted to keep to long continuous shots, sometimes it was necessary to cut away to a different shot either because the camera was unable to move fast enough around the table or moving to the next shot felt unnatural as it broke the 180 degree rule. For these shots I still wanted to tell something about the characters so instead of cutting away to random shots of cards or chips on the table I chose to show a finger running on the edge of the glass to show edginess or a chip rolling through knuckles to suggest nerves. I feel these cut aways subtly inform the audience how much these characters mistrust one another.

The sound is always a crucial component in film and perhaps even more so in Film Noir. Sound effects need to sound real and grounded, no hyper-real effects. In addition to this music is a key component for pacing, atmosphere and setting. I deliberately chose to use Body and Soul by Ziggy Elman because it fit the time period to operate both as diagetic and non-diagetic pieces of music. For the majority of the film the music acts as diagetic, a record playing in the background of the bar however as the action kicks off it changes to non-diagetic music before changing back in the aftermath. I also wanted to use this song all the way through the film to reinforce the long takes that were being shown with the same continuous music.
During the course of the film there are several conversations taking place between the characters that don’t necessarily add to the narrative but help to develop the characters and their working relationships. I chose to keep these in rather than streamlining the film to keep the narrative moving because I felt it was important that in a film so character driven it was important to understand these characters. My inspiration for this style of edit comes mostly from Quentin Tarantino’s in films Pulp Fiction (1994) and Inglourious Basterds (2009). In the latter of these two films, Tarantino has a bar scene which really influenced me in its style of long takes and seemingly pointless conversation only to suddenly flick into action.

I debated with myself about the opening of the film for quite some time and ended up choosing a different opening to what I had originally planned. Originally I was going to use a shot of New York city with a title indicating the setting of ‘Chicago, 1948’ and then cut to our main character Chapmann entering through the bar door. However, I decided against this in favour of opening up on a shot of a chip rolling across someone hand in the hopes that this would immediately establish the setting, tone and subject of the film. I then cut to our first character introduced with the close up of him taking the glass.
In conclusion, I was relatively happy with the outcome of A Game of Bluffs and learnt a great deal in the process about filming to meet the editing style of your piece and also the central column to film, sound. When I re-shoot this over the summer I feel like I will be much more prepared for the challenge and aware of what worked and what didn’t and how I can improve the overall quality of the film.

Film Bibliography
Double Indemnity (1944) by Billy Wilder
Inglourious Basterds (2009) by Quentin Tarantino
Jaws (1975) by Steven Spielberg
Pulp Fiction (1994) by Quentin Tarantino

Relevant Blog Posts
https://grantsnaithyr1.wordpress.com/2015/03/16/editing-a-narrative/
https://grantsnaithyr1.wordpress.com/2015/03/26/the-smokey-veil-of-film-noir/
https://grantsnaithyr1.wordpress.com/2015/03/26/a-game-of-bluffs/
https://grantsnaithyr1.wordpress.com/2015/04/30/schools-styles-and-the-researching-of-film-editing/
https://grantsnaithyr1.wordpress.com/2015/05/02/the-mystery-of-film-noir/
https://grantsnaithyr1.wordpress.com/2015/05/07/the-sound-edit/
https://grantsnaithyr1.wordpress.com/2015/05/13/a-game-of-bluffs-promo-work/

TV Studio Reflection

TV studio session – Tuesday 5th May

Our show was named The Geek Week and was designed as a topic a week show that would cover a specific area of Geek culture. This particular show concentrated on cosplay, its history and growing presence in modern western society. Our lengthy research into things Geek really paid off during the design and concept of our set which looked really good on camera with various items of Geekyness on display with a colourful couch and posters lining the walls. In hindsight I would have like to have the walls filled with a little more colour but the majority of our shots were tight and prevented the cameras from seeing the wider less populated set. Our VT’s were suitable to our project: one showing a trip our presenters took to MCM Birmingham Comic Con shortly after we had decided what topic to cover in our show and the international VT being of a trip to a large comic book store there and exploring the influences on the cosplay community. I feel these met the required criteria for our project however one of them seemed to be far too lengthy and I worried it would loose the interest of the audience. My role within the television team was Camera 2 operator, a role I hadn’t had the opportunity to prepare for as I had missed a few practice sessions due to international trips and the team deciding that my role should b changed, however, I found the process of camera operation simple and easy to pick up on the day. Essentially it relied heavily on floor manager and director working well together. Unfortunately, our director didn’t seem to take the project very seriously and acted rather unprofessional and as such communication between him and the floor manager were strained. I think the project would have benefited from a stronger director who could communicate clearly back and forth with the floor manager. Our director not only demonstrated a lack of professionalism in communication to the studio from the gallery but he also forgot to bring in the VT creating a large problem for us during the shoot even though we were allowed to add the VT after shoot. This meant our timing had to be really tight as we didn’t have the VT in front of us to make sure we could add it easily later. I was largely disappointed with our director in general and felt that we should have had someone else at the helm. Inside the gallery, early on in our shoot it seemed disorganised and argumentative which was a direct issue from lacking a strong central figure present. However, once we had began rolling and resolved our technical issues they co-ordinated themselves well. The auto-que scrolled a little too slowly the first run through but this was rectified for our following shoots. Our major problem on set was the audio, we hadn’t prepared sufficiently for recording audio in the two sections of our set which we discovered after our first take. This is something that we should have highlighted during practice but without our demonstration able to make practice we should have pretended that we had to move to a different section of the set. We remedied this by moving our mics so that one was positioned to pick up audio from the makeup tutorial even whilst not on screen and tilted the other slightly to accommodate for the interviewee. Our camera operators were organised and very aware of the schedule and timing of the show, especially camera operator one who also had the added job of operating the on set TV screen after positioning his camera into a suitable shot for the next segment of the show. We had four cameras in total, one unmanned aimed as a close up on the make up demonstration to give a constant view during the show. The Floor Manager also did a successful job of queuing the cameras and the Presenters were aware of which cameras they needed to look at during which part of the show. We had a duo of presenters who both dressed up in costume to fit with the theme of cosplay our show was following. They made for a good group but sometimes felt too scripted and seemed to be a little nervous. During one of our takes we found a gap of six seconds that needed filling and the presenters did a good job of filling this section with dialogue between presenter and make up artist. Myself and the floor manager also dressed in costume to add to the theme of the show and create a calming atmosphere which I think helped and showed commitment to the show. Other members of crew chose to wear Geek related items of clothing as well which showed a unison amongst the team. Reflecting upon my own performance, I feel I did so quite successfully considering I missed two rehearsals due to being away in Istanbul and had my job role changed from Presenter, to Floor Manager to Camera Operator in the last week. I would have liked to have been more aware of the blocking of the set beforehand and perhaps should have requested an image the set sent to me whilst I was aware to help prepare. With more time I also would have studied the operation of the cameras a little more in depth and was fortunate to have the assistance of the other camera operators in setting it up. I would have spoken out against the choice of director from the beginning to try and persuade the group to pick someone more capable of the role and also would have spent more time familiarising myself with all the roles in the studio and the equipment as then I would have been better prepared for a switch in set role. My feelings towards working in TV has not changed since this experience and it is still an area of Media that I would prefer to avoid. It feels far too regimented and structured and lacking in creativity and freedom to be a career I would enjoy pursuing.

The Do’s and Don’t’s of the TV Studio

The TV studio has numerous hazards to be aware of and assess in order to allow crew members and presenters to operate safely and effectively. Here are a few highlighted hazards to be aware of:
– Trailing Wires: Tape wires down in place or highlight them with small LED’s. Also a floor manager should ensure that nobody crosses over wires when possible.
– Heavy Equipment: Two people should always move objects that are heavy to avoid injuries. The correct method of lifting should always be applied to heavy objects.
– Numerous Moving People: A Floor Manager should co-ordinate the movement of his/her team and prevent collisions when possible.
– Electrical Appliances: Items of food and drink should never be taken into the studio or gallery as this could be dangerous around electricity and can cause damage to studio equipment.

California State University offers this free helpful pdf about safety procedures whilst operating in the TV studio that should be adhered to (http://class.csueastbay.edu/tvstudio/safety_guide.pdf).
The best action to take when establishing the safety hazards of a TV studio is to assess the dangers with a Risk Assessment sheet. Using this you work out what dangers exist, their level of threat and how to correct that danger.

Essential Readings Part 3 – Copyright and Copyleft

As part of our third week of 161MC we were given a number of useful resources to read and look into as part of our self development in creating impact in media.

This week we were focused on the issues surrounding Copyright and what that meant to us as Media Producers. This is an area of Media that I am self admittedly hazy on, and one that I struggle to get my head around. We began by discussing our boundaries and levels of caution that should be adhered to during our filming, a knowledge of the rules and when it is acceptable to work around them. When I sat down to begin the reading I first came across ‘Right to Culture: Future Scenarios’ a project to explore the possible outcomes of laws impact on creativity, one article within it ‘Morphology of a Copyright Tale’ by Aymeric Mansoux I found particularly useful. Aymeric breaks down the scenario of a creative practitioner straying from the standard procedures but within a folk tale style in somewhat of a homage to Vladimir Yakovlevich Propp. I think this appealed to me more because I am used to reading narrative in the manner this is portrayed as opposed to legal documentation.

In addition to this we were shown the film ‘The Internets Own Boy: The Story of Aaron Swartz’, a moving piece about the young man in question who was a pioneer for freedom of use on the internet. For further information on this, please see the below link.

https://grantsnaithyr1.wordpress.com/2015/01/20/the-internets-own-boy-the-aaron-schwarz-story/

Related Task Blogs:

https://grantsnaithyr1.wordpress.com/2015/01/25/marvel-avengers-remix/

https://grantsnaithyr1.wordpress.com/2015/01/26/classmates-remixes/

Poetic Eyes Critical Analysis

Vicarious
Experienced in the imagination through the feelings or actions of another person.

The poetic piece entitled ‘Vicarious’ starts off with a blurred shot of light particles crackling from the side of the screen, this slow and beautiful visual lures its viewers into a false sense of security from the get go. The initial idea of using this visual was centred around the idea that it was the glow of the television screen just out of view and that as the video progressed we were going to be viewing the television set and we would then end on the same visual to suggest we had turned away from the violence presented to us by the controlling media.

I wanted to play around with the theme of eyes through out the entirety of this poetic piece for several reasons. Firstly, the eyes are the gates through which we allow this violence to flood into our systems and the visuals successfully show this by interjecting as the violence of each clip increases, becoming more and more rapid in movement and ‘distressed’. Secondly I wanted to capture emotion in my piece to help the audience feel an emotional tie to the themes behind the poem, I don’t think I successfully achieved this target as well as the first because of the quality of some of the eye clips chosen were blurry.

Some of the shots of eyes carried a little more significance than to simply convey ourselves as absorbers of the media. There are two shots of eyes that I chose specifically to show; one of an eye being removed and another of a lobotomy procedure. Both shots whilst very different in some respects were chosen to represent connotations of how the media experiments on us as viewers and consumers. I know that this was a great choice as a few classmates even commented upon this visual. The final eye shot was without careful examination completely similar to every other shot of the eye before it however I chose that particular shot as it focused on the retracting of the iris to suggest a moment of realisation or an ‘eye opening’ experience.

At one stage of the poem the following lines occur “Bloated on pain and swollen on suffering” for me this was a brilliant part of the poem as I felt it really emphasised the feeling that we simply cannot get enough, however I had trouble thinking of a visual for this piece. I eventually came to the realisation that a simple twisting and swirling black and white visual could be great here. Its intended purpose was to symbolise the discomforting contortion feeling of being bloated.

Overall, ‘Vicarious’ is a representation of a human coming to terms with the brutality we are spoon fed on a daily basis by the controlling media. It points the finger at you and asks the question what is wrong with humanity that we feel the need to see such misery and violence and enjoy doing so. I hope that this has opened your eyes to this frightening reality of modern day society.

Becoming a Word-Smith

I’ve realised that my blog posts some to have become few and far between and I assure you, there is good reason for that. At the moment I am deep in the throws of writing my first University paper for the end of module 105MC. Me and my group are producing a collaborative book, comprised of our own individual chapters and a bibliography, I have taken it upon myself to write the introduction to this book, perhaps the most important piece as should this not capture the reader then the rest will not get to unfold. So far, i’ve covered a lot of theory and analysis in my piece, but have failed to address the very aspects of ‘introduction’, to discuss and open up the book itself and vaguely cover what our beliefs are on the key concepts.
My blog posts will be picking up once again after this Friday when this has been handed in and my Character Concepts presentation has been delivered. Its been a very long week, with sleepless nights and headache mornings, but I will get through this, and then onwards to christmas!